New Year’s Resolutions for Writers

New Year's Resolution Coasters by Lucky Bee PressInevitably, around this time of year, people roll out their lists of New Year’s resolutions–these lists might include items like “Imma lose weight!” or “Imma quit dranking!”

Well, I have one more item to add to all of our lists: “We should be writing.”

It’s inspired by Mur Lafferty’s podcast, I Should Be Writing, and if you follow it or not, you might’ve heard of the Magic Spreadsheet.

It’s a self-calculating Excel spreadsheet that awards points for how many words you’ve written in a day (1 point for 250 words, 2 points for 500 words, etc.) and how many days you’ve continued writing (1 point for 1 day, 2 points for the second day, etc.).

The goal being that by writing 250 words daily, you would write over 90,000 words in a year, surpassing the industry standard of 80,000 words for a novel.

I’m a competitive person by nature (I think most people are), and by seeing the points I’ve scored for each month, I feel a need to score more points on subsequent months. It reminds me of an RPG, or something–that I’m actually “leveling up” as a writer as I accumulate more points. I started writing with the Magic Spreadsheet last March, and I’ve been the most productive that I’ve ever been. Hands down!

So if one of your New Year’s resolutions is increasing your productivity as a writer, you should try downloading and using this spreadsheet. It’s definitely helped me maintain a more consistent writing routine.

Happy New Year, Everybody! May this year be a more productive writing year for us.

Write your heart out!

 

Photo credit: BazaarBizarreSF / Foter.com / CC BY-NC-ND

My NaNoWriMo Results

NaNoWriMoNow that National Novel Writing Month (NaNoWriMo) has officially ended and my life has transitioned back to a state of normalcy (as normal as it’s going to get with the stress of finals looming), I’ve had some time to reflect on my experiences as a first ever participant.

I have a couple disclaimers before I begin. (If you’d like to read how I ever decided to join NaNoWriMo in the first place, please click here.)

1. I edit. A lot. I could not completely divorce myself from my “Banger” ways. This past month was as “Swooper” as it gets for me. Before I began a new day, I read over my previous day’s words and revised and edited them. Whenever I finished a chapter, I spent a few days just revising and editing it. Though this put my overall word count in jeopardy, it renewed my confidence that I was headed in the right direction.

2. I also currently teach five days a week (for the first time ever in my teaching career), and it’s difficult find uninterrupted blocks of time to write while teaching, grading, and lesson planning, among my other responsibilities.

Prior to NaNoWriMo, my wife and I constructed a schedule for me to follow during the month of November that included at least three hours of writing per day, 24 writing hours per week. I wrote this on an index card and taped it to my computer as a daily reminder.

So was I able to adhere to this schedule?

Ehh… Kinda. There were days that I was unable to write due to work obligations and a peer evaluation (I’m acclimating to a new college), but my NaNoWriMo schedule forced me into a pretty regular routine, and I was a more productive writer this past month. Prior to NaNoWriMo, my best months featured about 5,000 words, or one short story.

In fact, I’m so pleased with my results that I’ve decided to create new writing schedules–new index cards–for myself whenever my schedule changes to keep up my routine. During winter break, for instance, I will follow a new routine, and during the Spring semester, I will follow another new schedule. My goal is to finish a first draft of my novel by this summer.

What did I learn?

To call yourself a writer, you have to write. NaNoWriMo encourages this through daily emails and forums and meet-ups. It essentially creates and promotes a culture of writing that is easy to adopt for the entire month. The trick is to let this momentum carry you into the rest of the year. For those of us in education, December and January should be good writing months.

Would I do it again?

Yes! Though I did not “win” by writing 50,000 words for the month, I bested my own personal record, and I’m that much closer to finishing the first draft of my novel. What more can you ask for?

 

Photo credit: Wired.com

If You Want to Be a Writer… Read! Read! Read!

And Art Alive Still

If you want to improve your skills as a fiction writer, you need to first become a student of the craft.

In other disciplines, this is common sense. For example, aspiring basketball players might study film of Allen Iverson’s killer crossover, Tim Duncan’s post moves, or Kobe Bryant’s fallaway jump shot. It is not by mere coincidence that any of these future Hall of Fame basketball players created these moves in a vacuum. They, themselves, also studied film of their predecessors. A culture of study and application exists in the NBA.

However, when it comes to writing fiction, many beginning writers will approach the craft with the assumption that anyone can write. And to some extent, this is true. Millions of Americans have composed essays in high school or composed descriptive passages in emails. So, yes, millions of people possess the ability to write. And unlike basketball, since writing is such a solitary experience, judging the inherent quality of the writing begins (and sometimes, unfortunately, ends) with the actual writer.

But, make no mistake about it: Writing fiction is a skill. And like any skill, it requires dedication and direction to improve. This is where reading comes into play.

To be a successful writer, you need to develop an appetite for reading. Read the classics. Read your contemporaries. Read books outside of your genre. And when you finish one book, begin another.

By reading these books, you will be exposed to the “killer crossovers, post moves, and fallaway jump shots” of other successful writers.

In order to improve the ways in which you write your heart out, you need to find the time to read your heart out, too.

(I realize this might be particularly challenging during NaNoWriMo, though…)

 

Photo credit: dhammza / Foter.com / CC BY-NC-ND

Writing for Longevity

Linkoping, Ostergotland, Sweden

Last week, I blogged about Kurt Vonnegut’s “Eight Rules for Writing a Short Story.” As many of you may know, Vonnegut passed away six years ago at the age of 84.

He lives on through his many works:

  1. Player Piano (1952)
  2. The Sirens of Titan (1959)
  3. Canary in a Cathouse (1961)
  4. Mother Night (1961)
  5. Cat’s Cradle (1963)
  6. God Bless You, Mr. Rosewater (1965)
  7. Welcome to the Monkey House (1968)
  8. Slaughterhouse-Five (1969)
  9. Happy Birthday, Wanda June (1971)
  10. Between Time and Timbuktu (1972)
  11. Breakfast of Champions (1973)
  12. Wampeters, Foma, and Granfalloons (1974)
  13. Slapstick (1976)
  14. Jailbird (1976)
  15. Palm Sunday (1981)
  16. Deadeye Dick (1982)
  17. Galapagos (1985)
  18. Bluebeard (1987)
  19. Hocus Pocus (1989)
  20. Fates Worse Than Death (1991)
  21. Timequake (1997)
  22. Bagombo Snuff Box (1999)
  23. God Bless You, Dr. Kevorkian (2000)
  24. A Man Without a Country (2005)
  25. Armageddon in Retrospect (2008)
  26. Look at the Birdie (2009)
  27. While Mortals Sleep (2011)

To create such a body of work, it goes without saying that Vonnegut dedicated a lot of time to writing, but what might go unnoticed is the importance he placed on exercise. In an excerpt from a letter to his wife, Jane, dated September 28, 1965, he describes his daily routine:

I awake at 5:30, work until 8:00, eat breakfast at home, work until 10:00, walk a few blocks into town, do errands, go to the nearby municipal swimming pool, which I have all to myself, and swim for half an hour, return home at 11:45, read the mail, eat lunch at noon. In the afternoon I do schoolwork, either teach or prepare. When I get home from school at about 5:30, I numb my twanging intellect with several belts of Scotch and water ($5.00/fifth at the State Liquor store, the only liquor store in town. There are loads of bars, though.), cook supper, read and listen to jazz (lots of good music on the radio here), slip off to sleep at ten. I do pushups and sit-ups all the time, and feel as though I am getting lean and sinewy, but maybe not.

Similarly, another one of my favorite writers, Haruki Murakami, places a huge importance on establishing a writing routine and pairing it with exercise. In Haruki Murakami and the Music of Words, Jay Rubin writes:

By 1999, Murakami had run 16 full marathons and so completely identified himself with physical fitness that one magazine ran a 25-page spread on the connection between his running and his writing. ‘You’ve got to have physical strength and endurance,’ he said, ‘to be able to spend a year writing a novel and then another year rewriting it ten or fifteen times.’ He decided that he would live as if each day were 23 hours long, so that no matter how busy he might be, nothing would prevent him from devoting an hour to exercise. ‘Stamina and concentration are two sides of the same coin… I sit at my desk and write every day, whether it’s painful or enjoyable. I wake up at 4 a.m. and usually keep writing until after noon. I do this day after day, and eventually–it’s the same as running–I get to that spot where I know it’s what I’ve been looking for all along.

Murakami is the author of numerous books in his own right; most of them have been translated into English:

  1. Pinball, 1973 (1985)
  2. Hear the Wind Sing (1987)
  3. A Wild Sheep Chase (1989)
  4. Hard-Boiled Wonderland and the End of the World (1991)
  5. Dance Dance Dance (1994)
  6. The Elephant Vanishes: Stories (1994)
  7. The Windup Bird Chronicle (1997)
  8. Norwegian Wood (2000)
  9. South of the Border, West of the Sun (2000)
  10. Underground: The Tokyo Gas Attack and the Japanese Psyche (2000)
  11. Sputnik Sweetheart (2001)
  12. After the Quake: Stories (2003)
  13. Kafka on the Shore (2005)
  14. After Dark (2007)
  15. Blind Willow, Sleeping Woman (2007)
  16. What I Talk About When I Talk About Running (2008)
  17. 1Q84 (2011)

Take these two literary giants as primary examples.

If you hope to write for the long haul, not only do you need a writing routine, but you will also need to take care of your physical health. If you take care of your body now, you will hopefully add more years to your life, so, like Kurt Vonnegut and Haruki Murakami, you can write your heart out well into your golden years.

 

Photo credit: Swedish National Heritage Board / Foter

Choosing a Good Job to Sustain Your Writing Life

The Casual VacancyWe’ve all heard of success stories like James Patterson’s rise to fame and fortune. The same can be said of other writers like Stephen King or E. L. James.

But unfortunately, for every J. K. Rowling, there are millions of working writers we’ve never even heard of.

I have a touchy topic to discuss with you today, so I apologize to you in advance if you take this the wrong way. I don’t want to discourage any of you to pursue your dreams. But I don’t think this will come as any great shock to you:

Realistically, most of us won’t be able to live strictly off of our own writing. As writers, if we’re going to be in it for the long haul, we need to find jobs that will allow us to make enough money for us to live.

So, to address this, there are two important aspects to consider when choosing a good job to sustain your writing life:

  1. A good job should allow you to create or maintain a writing routine.
  2. A good job should not drain your inspiration to write.

We all know people who work long hours and come home exhausted, too tired to do anything but watch TV, especially in this economy. I had a friend who worked as a copy editor, and when he was done with his day at the office, he didn’t want to work on his fiction. He spent all day working on other people’s manuscripts, and it sucked all the joy out of writing from him. The job wasn’t a good fit if he wanted a writing life.

I’ve heard of writers working as graveyard shift security guards, scribbling their thoughts on pads of paper, reaching for paperbacks from out of their back pockets. That could be a better fit.

From the outside looking in, my allergist has working hours that would be a great fit for the writing life. He never arrives to his office before 10:30 a.m. And he hardly ever stays past 5:30 p.m. He schedules no work on Fridays, Saturdays, or Sundays. He never takes his work home with him. And he makes bank. You should see the invoices that he sends to my insurance!

The best work I’ve found for myself is in teaching college writing. The pay might not be as great as other professions, but I enjoy standing in front of a group of students and sharing what I’ve learned with them, while embracing and encouraging them to be the best writers and people that they can be. I can be passionate about it because I love writing. I can share tips and strategies I’ve gleaned from other writers, and my students appreciate my efforts because they are in the class to improve their abilities.

I particularly love teaching at the college level because my students don’t have to be there. Some high school students approach class as if they’re serving jail time. But in college, when a guy picks his desk in the back of one of my classrooms on the first day of the semester, you can’t tell me that he isn’t making sacrifices to be there. He is dedicating time and energy and resources. I’d be willing to bet that if he’s honest with himself, some part of him wants to be there, and that part of him wants to be a better writer! I love working with these students. It inspires me and energizes my writing when I am able to witness someone’s marked improvement, sometimes over the course of year or longer, if the student takes multiple courses with me.

My whole point is: Like college athletes, writers need a backup plan. You might never find work that you love in the same way that you love writing, but hopefully, you will be able to find work you love in a different way–not less–and it will afford you the lifestyle needed to write your heart out!

 

Photo credit: Little, Brown and Company

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